100+ This Is Spinal Tap Quotes From The Documentary Of A British Heavy Metal Band

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This Is Spinal Tap famous quotes

These This Is Spinal Tap Quotes From The Documentary Of A British Heavy Metal Band. There are so many This Is Spinal Tap quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these This Is Spinal Tap  quotes exists just do that.

The funniest rock movie ever made, the “This is Spinal tap” is an American classic mockumentary which left many with a hurting stomach due to immense laughter.  Released in 1984, it was directed and as well as co-written by Rob Reiner making it one of the best comic documentaries made on the rock life of the British rock band, Spinal Tap.

The film states the life of this British rock band through the eyes and experience of FilmmakerMarty Di Bergi, who followed the band in their tours and concerts in order to promote their new album, Smell the Glove. The band consists of two childhood friends, David Hubbins and Nigel Tufnel along with other 3 artists. The audience gets a brief on the early life of the band in the name of Thamesmen, that got their first hit single,” Gimme some money”. The film also showed us the tragic death of many of their previous drummers before Mick Shrimpton and their causes.

The real struggle of the band was with their selling of Smell the Glove album due to the sexist cover. The change of cover to a whole black cover leads to the failing of autograph seasons of fans with the band. Apart from all the problems and change of their manager, the group went on making small tour venues.

The group nearly fell apart with Nigel quitting due to some problem but comes back with the news that their song “sex farm” is a hit in Japan and Ian wants a to organise a tour. The group reunites again in their last band performance in the US before heading for a tour in Japan. At the end scene, we find out the tragic death of the drummer Mick as he explodes on the stage during a performance.

The “this is Spinal tap” received a number of positive reviews making it a big success. The movie is preserved in Library of Congress and also in the National Film Registry.

We have dug up these This Is Spinal Tap quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of This Is Spinal Tap Sayings in a single place. These famous This Is Spinal Tap quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular This Is Spinal Tap quotes should be read with caution and proper understanding of the context. Here are tons of This Is Spinal Tap quotes that will open a treasure chest of Wisdom and experiences: –

“You can’t really dust for vomit.”

This Is Spinal Tap saying

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“It’s such a fine line between stupid, and uh…clever”

This Is Spinal Tap quotes

“You don’t do heavy metal in Dubly, you know.”

This Is Spinal Tap popular quotes

“Here lies David St. Hubbins…and why not”

This Is Spinal Tap famous quotes

“Well, this piece is called ‘Lick My Love Pump.’”

This Is Spinal Tap best quotes

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“I do not, for one, think that the problem was that the band was down. I think that the problem may have been that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf.”

“This miniature bread…”

“The review you had on ‘Shark Sandwich,’ which was merely a two-word review, just said ‘Shit sandwich.’”

“He was the patron saint of quality footwear.” – David St. Hubbins on the origin of his last name.

“We’re very lucky in the band in that we have two visionaries, David and Nigel, they’re like poets, like Shelley and Byron. They’re two distinct types of visionaries, it’s like fire and ice, basically. I feel my role in the band is to be somewhere in the middle of that, kind of like lukewarm water.”

“None more black”

“Well, so what? What’s wrong with bein’ sexy?” “Sex-IST!”

“(Concerning Boston, MA): It’s not a big college town.”

“(Concerning the cover of “Smell the Glove”): It’s like a black mirror… you can see yourself… in both sides.”

“(From the “This Is Spinal Tap” DVD booklet, “Drummer Necrology”) Although the band arguably had 32 drummers during its history, these are the six that are mentioned by name: John “Stumpy” Pepys (1943-1969) Cause of death: Gardening accident.”

“Marty: The last time Tap toured America, they where, uh, booked into 10,000 seat arenas, and 15,000 seat venues, and it seems that now, on their current tour they’re being booked into 1,200 seat arenas, 1,500 seat arenas, and uh I was just wondering, does this mean uh…the popularity of the group is waning?
Ian: Oh, no, no, no, no, no, no…no, no, not at all. I, I, I just think that the.. uh.. their appeal is becoming more selective.”

“David St. Hubbins: They said the album cover is a bit sexist.
Nigel Tufnel: Well, so what? What’s wrong with being sexy?
David St. Hubbins: Sexist, Nigel.”

“Nigel Tufnel: (holding up a guitar) The sustain, listen to it.
Marty DiBergi: I don’t hear anything.
Nigel Tufnel: Well you would though, if it were playing.”

“(Nigel Tufnel plays the piano)
Marty DiBergi: It’s pretty.
Nigel Tufnel: Yeah, I like it. I’ve been fooling around with it for a few months now. Very delicate.
Marty DiBergi: It’s a bit of a departure from what you normally play.
Nigel Tufnel: Yeah, well, it’s part of a trilogy, a musical trilogy that I’m doing in D [pause] minor, which, I always find is really the saddest of all keys, really, I don’t know why; it makes people weep instantly to play (Nigel plays, and sings)
Nigel Tufnel: It’s a horn part.
Marty DiBergi: It’s very pretty.
Nigel Tufnel: You know, just simple lines intertwining, you know, very much like – I’m really influenced by Mozart and Bach, and it’s sort of in between those, really. It’s like a Mach piece, really. It’s sort of…
Marty DiBergi: What do you call this?
Nigel Tufnel: Well, this piece is called “Lick My Love Pump”.”

“Marty DiBergi: Why don’t you make ten a little louder, make that the top number and make that a little louder?
Nigel Tufnel: (pause to think it over) These go to eleven.”

“Airport Security Officer: Do you have any artificial plates or limbs?
Derek Smalls: Er, not really.”

“Bobbi Flekman: Ian, you put a greased naked woman on all fours, with a dog collar around her neck and a leash, and a man’s arm extended out up to here holding the leash, and pushing a black glove in her face to sniff it – you don’t find that offensive? You don’t find that sexist?
Ian Faith: No, I don’t! This is 1982, for God’s sake…
Bobbi Flekman: That’s right it’s 1982. Get out of the Sixties. We don’t have this mentality any more.
Ian Faith: Well you should have seen the cover they wanted to do. It wasn’t a glove, believe me.”

“Derek Smalls: I mean, people should be envying us, you know.
David St. Hubbins: I envy us.
Derek Smalls: Yeah.
David St. Hubbins: I do.
Derek Smalls: Me too.”

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“[After Ian Faith has quit managing the band and stormed out]
Derek Smalls: Can I raise a practical question at this point?
David St. Hubbins: What?
Derek Smalls: Are we going to do “Stonehenge” tomorrow?
David St. Hubbins: No, we’re not gonna ****in’ do “Stonehenge”!!!”

“Marty DiBergi: David St. Hubbins… I must admit I’ve never heard anybody with that name.
David St. Hubbins: It’s an unusual name, well, he was an unusual saint, he’s not a very well known saint.
Marty DiBergi: Oh, there actually is, uh… there was a St. Hubbins?
David St. Hubbins: That’s right, yes.
Marty DiBergi: What was he the saint of?
David St. Hubbins: He was the patron saint of quality footwear.”

“[After the failed “Stonehenge” performance regarding the undersized prop]
Ian Faith: I think you guys are making too big a thing of this.
Derek Smalls: Making a big thing of it would have been a good idea.”

“Ian Faith: Nigel gave me a drawing that said 18 inches. Now, whether or not he knows the difference between feet and inches is not my problem. I do what I’m told.
David St. Hubbins: But you’re not as confused as him, are you? I mean, it’s not your job to be as confused as Nigel.”

“David St. Hubbins: We say, “Love your brother.” We don’t say it really, but –
Nigel Tufnel: We don’t literally say it.
David St. Hubbins: No, we don’t say it.
Nigel Tufnel: We don’t really, literally mean it.
David St. Hubbins: No, we don’t believe it either, but –
Nigel Tufnel: But we’re not racists.
David St. Hubbins: But that message should be clear.”

“Big Bottom: Big bottom, big bottom, talk about bum-cakes … my girl’s got ’em. Big bottom drive me out of my mind, how can I leave this … behind?
Sex Farm: Working on a sex farm, trying to raise some hard love. Getting out my pitch fork, poking your hay.
Tonight I’m Gonna Rock You Tonight: You’re sweet but you’re just four feet, and you still got your baby teeth. You’re too young and I’m too well hung, Tonight I’m gonna rock you, Tonight I’m gonna rock you, Tonight!”

“Marty DiBergi: Hello. My name is Marty DiBergi. I’m a film-maker. I make a lot of commercials. That little dog that chases the covered wagon underneath the sink? That was mine.
Artie Fufkin: Do me a favor. Just kick my ass, okay? Kick this ass for a man, that’s all. Kick my ass. Enjoy. Come on. I’m not asking, I’m telling with this. Kick my ass.
Morty the Mime: It’s a kick isn’t it? Well, I used to be an actor but I could never remember my lines, so I thought ‘just shut up,’ you know? Don’t say nothing.
Viv Savage: Have… a… good… time… all the time.
Viv Savage: Quite exciting, this computer magic.
Mick Shrimpton: I used to say “sex, drugs, and rock and roll” …As long as there’s sex and drugs, I can do without rock and roll.
Marty DiBergi: (To Derek Smalls) So you feel like a preserved moose on stage?”

“The Gospel According to Spinal Tap: This pretentious, ponderous group of rock psalms prompts the question “On what day did God create Spinal Tap, and couldn’t he have rested on that day too?”
Shark Sandwich
Marty Dibergi: The review you had on Shark Sandwich which was merely a two word review. Just said “Shit Sandwich.”
David St. Hubbins: Where did they print that?
Derek Smalls: That’s not real, is it?”

“[Concerning his epitaph]: Here lies David St. Hubbins…. and why not?”

“Certainly, in the topsy-turvy world of heavy rock, having a good solid piece of wood in your hand is often useful.”

“Dozens of people spontaneously combust each year. It’s just not really widely reported.”

“Eric “Stumpy Joe” Childs (1945-1974) Cause of death: Choked on vomit, although it was never determined whose vomit it was.”

“I’m not co-managing this band with anyone. Especially not someone who dresses like an Australian’s nightmare.”

“I’m quite influenced by Mozart and Bach, so I like to think that this piece is more of a Mach really.”

“I, for one, do not think the problem was that the band was down. I think that the problem may have been that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. That tended to understate the hugeness of the object.”

“It’s like how much more black could this be? And the answer is none, none more black.”

“It’s like space without the stars.”

“It’s such a fine line between stupid and clever.”

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“Joe “Mama” Besser (19??-1983) Cause of death: Missing, presumed dead, or playing jazz.”

“Mick Shrimpton (1948-1982) Cause of death: On-stage explosion.”

“Oh. This piece is called Lick My Love-Pump.”

“Peter “James” Bond (1949-1977) Cause of death: Spontaneous combustion”

“Richard “Ric” Shrimpton (1948-?) Cause of death: No one knows what happened to Ric. None of the band members thought to ask each other. We’ve also heard that he sold his dialysis machine for drugs, and we assumed he died.”

“That’s not to say I haven’t had my visionary moments. I’ve taken acid seventy five, seventy-six times.”

“The Dukes of Rock rock.”

“These go up to eleven.”

“They died. Nice person, really… He’s dead, you know… Yeah, he died…”

“We do not strive for perfection, because “perfection is the destination, imperfection is the journey”.”

“We’re very lucky in the band in that we have two visionaries – David and Nigel. They’re like poets, like Shelley and Byron. They’re two distinct types of visionaries; it’s like fire and ice, basically. I feel my role in the band is to be somewhere in the middle of that, kind of like lukewarm water.”

“We’ve got armadillos in our trousers. It’s really quite frightening.”

“Well, I’m sure I’d feel much worse if I weren’t under such heavy sedation.”

“[when told their album cover was sexist] Well, what’s wrong with being sexy?”

“Derek Smalls: Rock and roll!!!”

“Marty DiBergi: Do you feel that playing rock and roll music keeps you a child… that is, keeps you in a state of arrested development?
Derek Smalls: No, no, no. I feel it’s like, it’s more like going, going to a national park or something, and there’s… you know, they preserve the moose. And that’s my childhood up there on stage is that moose, you know.
Marty DiBergi: So when you’re playing, you feel like a preserved moose onstage?
Derek Smalls: Yeah.”

“David St. Hubbins: “I think that the problem may have been that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. That tended to understate the hugeness of the object.”
David St. Hubbins: I think that the problem may have been that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. That tended to understate the hugeness of the object.”

“Morty the Mime: Mime is money
Morty the Mime: Mime is money.”

“Nigel Tufnel: These go to eleven.”

“[introducing the film] I wanted to capture the… the sights, the sounds… the smells of a hard-working rock band, on the road. And I got that; I got
more… a lot more. But hey, enough of my yakkin’; whaddaya say? Let’s boogie!”

“I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

“[Asked by a reporter if this is the end of Spinal Tap] Well, I don’t really think that the end can be assessed as of itself as being the end because what
does the end feel like? It’s like saying when you try to extrapolate the end of the universe, you say, if the universe is indeed infinite, then how – what
does that mean? How far is all the way, and then if it stops, what’s stopping it, and what’s behind what’s stopping it? So, what’s the end, you know, is my
question to you.”

“There’s something about this that’s so black, it’s like how much more black could this be? And the answer is none. None more black.”

“You can’t really dust for vomit.”

“We’re very lucky in the band in that we have two visionaries, David and Nigel, they’re like poets, like Shelley and Byron. They’re two distinct types of
visionaries, it’s like fire and ice, basically. I feel my role in the band is to be somewhere in the middle of that, kind of like lukewarm water.”

“I used to say “sex, drugs, and rock and roll.” As long as there’s sex and drugs, I can do without rock and roll.”

“Yeah, listen, we’d love to stand around and chat, but we’ve gotta… sit down in the lobby and wait for the limo.”

“Nigel Tufnel:
“I think we have that…”, you see, something like that I could do.”

“Marty DiBergi:
Yeah… you think you’d be happy doing something like-…”

“Nigel Tufnel:
“No! We’re all out, do you wear black?”, see, that sort of thing, I think I could probably muster up.”

“Marty DiBergi:
Yeah, do you think you’d be happy doing that?”

“Nigel Tufnel:
Well, I don’t know, wh-wh-what are the hours?”

“Ian Faith:
Certainly, in the topsy-turvy world of heavy rock, having a good solid piece of wood in your hand is often useful.”

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“Marty DiBergi:
It’s very pretty.”

“Nigel Tufnel:
Yeah, I’ve been fooling around with it for a few months.”

“Marty DiBergi:
It’s a bit of a departure from what you normally play.”

“Nigel Tufnel:
It’s part of a trilogy, a musical trilogy I’m working on in D minor which is the saddest of all keys, I find. People weep instantly when they hear it, and I don’t know why.”

“Marty DiBergi:
It’s very nice.”

“Nigel Tufnel:
You know, just simple lines intertwining, you know, very much like – I’m really influenced by Mozart and Bach, and it’s sort of in between those, really. It’s like a Mach piece, really. It’s sort of…”

“Marty DiBergi:
What do you call this?”

“Nigel Tufnel:
Well, this piece is called “Lick My Love Pump”.”

“Artie Fufkin:
You know what I want you to do? Will you do something for me?”

“David St. Hubbins:
What?”

“Artie Fufkin:
Do me a favor. Just kick my ass, okay? Kick this ass for a man, that’s all. Kick my ass. Enjoy. Come on. I’m not asking, I’m telling with this. Kick my ass.”

“Nigel Tufnel:
In ancient times, hundreds of years before the dawn of history, an ancient race of people… the Druids. No one knows who they were or what they were doing…”

“Lt. Hookstratten:
May I start by saying how thrilled we are to have you here. We are such fans of your music and all of your records. I’m not speaking of yours personally, but the whole genre of the rock and roll.”

“David St. Hubbins:
Well, I don’t really think that the end can be assessed as of itself as being the end because what does the end feel like? It’s like saying when you try to extrapolate the end of the universe, you say, if the universe is indeed infinite, then how – what does that mean? How far is all the way, and then if it stops, what’s stopping it, and what’s behind what’s stopping it? So, what’s the end, you know, is my question to you.”

“Derek Smalls:
We’re lucky.”

“David St. Hubbins:
Yeah.”

“Derek Smalls:
I mean, people should be envying us, you know.”

“David St. Hubbins:
I envy us.”

“Derek Smalls:
Yeah.”

“David St. Hubbins:
I do.”

“Derek Smalls:
Me too.”

“David St. Hubbins:
Here lies David St. Hubbins… and why not?”

“Mick Shrimpton:
As long as there’s, you know, sex and drugs, I can do without the rock and roll.”

“Marty DiBergi:
“This pretentious ponderous collection of religious rock psalms is enough to prompt the question, ‘What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?'”

“David St. Hubbins:
I do not, for one, think that the problem was that the band was down. I think that the problem *may* have been, that there was a Stonehenge monument on the stage that was in danger of being *crushed* by a *dwarf*. Alright? That tended to understate the hugeness of the object.”

“Ian Faith:
I really think you’re just making much too big a thing out of it.”

“Derek Smalls:
Making a big thing out of it would have been a good idea.”

“David St. Hubbins:
We say, “Love your brother.” We don’t say it really, but…”

“Nigel Tufnel:
We don’t literally say it.”

“David St. Hubbins:
No, we don’t say it.”

“Nigel Tufnel:
We don’t really, actually mean it.”

“David St. Hubbins:
No, we don’t believe it either, but…”

“Nigel Tufnel:
But we’re not racists.”

“David St. Hubbins:
But that message should be clear.”

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