100+ Robert Mitchum Quotes That Will Make You Believe In Yourself

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Robert Mitchum quotes

Robert Mitchum quotes that will make you believe in yourself. There are so many Robert Mitchum quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these Robert Mitchum quotes exists just do that.

Robert Mitchum had been a very famous movie director, author, actor, composer, poet, and also a singer. Robert Mitchum had risen to fame for his starring roles in a lot of classic movies and has been considered as a forerunner of the antiheroes in movie during the 1950s and also the 1960s. Robert Mitchum’s well-known movies are The Night of the Hunter (1955), Cape Fear (1962) and Out of the Past (1947). Robert Mitchum had been nominated for the Academy Award for Best Supporting Actor for the movie, The Story of G.I. Joe.

Robert Mitchum has been rated as number 23 on the American Film Institute’s greatest male stars in Classic American Cinema.

We have dug up these Robert Mitchum quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of Robert Mitchum Sayings in a single place. These famous Robert Mitchum quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular Robert Mitchum quotes should be read with caution and proper understanding of the context. Here are tons of Robert Mitchum quotes that will open a treasure chest of Wisdom and experiences:

“I have two acting styles: with and without a horse.”

Robert Mitchum best quotes

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“How do I keep fit? I lay down a lot.”

Robert Mitchum famous quotes

“I started out to be a sex fiend but couldn’t pass the physical.”

Robert Mitchum popular quotes

“Movies bore me; especially my own.”

Robert Mitchum quotes “I came back from the war and ugly heroes were in.”

Robert Mitchum saying

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“The only difference between me and my fellow actors is that I’ve spent more time in jail.”

“I gave up being serious about making pictures around the time I made a film with Greer Garson and she took a hundred and twenty-five takes to say no.”

“I’ve still got the same attitude I had when I started. I haven’t changed anything but my underwear.”

“[on his acting talents] Listen. I got three expressions: looking left, looking right and looking straight ahead.”

“People think I have an interesting walk. Hell, I’m just trying to hold my gut in.”

“[on press stories] They’re all true – booze, brawls, broads, all true. Make up some more if you want to.”

“When I drop dead and they rush to the drawer, there’s going to be nothing in it but a note saying ‘later’.”

“I never take any notice of reviews – unless a critic has thought up some new way of describing me. That old one about my lizard eyes and anteater nose and
the way I sleep my way through pictures is so hackneyed now.”

“Years ago, I saved up a million dollars from acting, a lot of money in those days, and I spent it all on a horse farm in Tucson. Now when I go down there, I
look at that place and I realize my whole acting career adds up to a million dollars worth of horse shit.”

“Every two or three years, I knock off for a while. That way I’m always the new girl in the whorehouse.”

“I never changed anything, except my socks and my underwear. And I never did anything to glorify myself or improve my lot. I took what came and did the best I could with it.”

“[asked what jail was like, after being released on a marijuana possession charge] It’s like Palm Springs without the riff-raff.”

“You’ve got to realize that a Steve McQueen performance lends itself to monotony.”

“Not that I’m a complete whore, understand. There are movies I won’t do for any amount. I turned down Patton (1970) and I turned down Dirty Harry (1971).
Movies that piss on the world. If I’ve got five bucks in my pocket, I don’t need to make money that f***ing way, daddy.”

“John Wayne had four-inch lifts in his shoes. He had the overheads on his boat accommodated to fit him. He had a special roof put in his station wagon. The
son-of-a-bitch, they probably buried him in his goddamn lifts.”

“There just isn’t any pleasing some people. The trick is to stop trying.”

“[his opinion about the Vietnam war, in 1968] If they won’t listen to reason over there, just kill ’em. Nuke ’em all.”

“Sure I was glad to see John Wayne win the Oscar. I’m always glad to see the fat lady win the Cadillac on television, too.”

“I’ve survived because I work cheap and don’t take up too much time.”

“You know what the average Robert Mitchum fan is? He’s full of warts and dandruff and he’s probably got a hernia too, but he sees me up there on the screen
and he thinks if that bum can make it, I can be president.”

“I kept the same suit for six years – and the same dialog. We just changed the title of the picture and the leading lady.”

“Young actors love me. They think if that big slob can make it, there’s a chance for us.”

“[asked why, in his mid-60s, he took on the arduous task of an 18-hour mini-series, The Winds of War (1983)] It promised a year of free lunches.”

“[on four-time co-star Deborah Kerr] The best, my favorite… Life would be kind if I could live it with Deborah around.”

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“[his opinion of Method actors Robert De Niro, Al Pacino and Jack Nicholson] They are all small.”

“[1983] Stars today are just masturbation images.”

“[on The Good Guys and the Bad Guys (1969)] How the hell did I get into this picture anyway? I kept reading in the papers that I was going to do it, but when
they sent me the script I just tossed it on the heap with the rest of them. But somehow, one Monday morning, here I was. How the hell do these things happen
to a man?”

“Just after we shot Secret Ceremony (1968), lesbianism came in… I’m no damned good as a lesbian.”

“People make too much of acting. You are not helping anyone like being a doctor or even a musician. In the final analysis, you have exalted no one but
yourself.”

“These kids only want to talk about acting method and motivation; in my day all we talked about was screwing and overtime.”

“I know production values are better, but are the scripts, are the pictures? The thing is, it’s a hell of a lot more work, and I don’t see overall where the
films are any better, really?”

“I often regret my good reviews, because there is no point in doing something I know to be inferior and then I find I have come off the best in the film.
Wouldn’t you find that worrying?”

“[1948] I never will believe there is such a thing as a great actor.”

“I got a great life out of the movies. I’ve been all over the world and met the most fantastic people. I don’t really deserve all I’ve gotten. It’s a
privileged life, and I know it.”

“I started out to be a sex fiend, but I couldn’t pass the physical.”

“This is not a tough job. You read a script. If you like the part and the money is OK, you do it. Then you remember your lines. You show up on time. You do what the director tells you to do. When you finish, you rest and then go on to the next part. That’s it.”

“Maybe love is like luck. You have to go all the way to find it.”

“I’ve still got the same attitude I had when I started. I haven’t changed anything but my underwear.”

“There just isn’t any pleasing some people. The trick is to stop trying.”

“I kept the same suit for six years and the same dialogue. They just changed the title of the picture and the leading lady.”

“Movies bore me; especially my own.”

“People think I have an interesting walk. Hell, I’m just trying to hold my gut in.”

“Every two or three years, I knock off for a while. That way I’m always the new girl in the whorehouse.”

“I have two acting styles: with and without a horse.”

“The only difference between me and my fellow actors is that I’ve spent more time in jail.”

“How do I keep fit? I lay down a lot.”

“I never will believe there is such a thing as a great actor.”

“I never take any notice of reviews-unless a critic has thought up some new way of describing me. That old one about my lizard eyes and anteater nose and the way I sleep my way through pictures is so hackneyed now.”

“Listen. I got three expressions: looking left, looking right and looking straight ahead.”

“Sometimes, I think I ought to go back and do at least one thing really well. But again, indolence will probably cause me to hesitate about finding a place to start. Part of that indolence perhaps is due to shyness because I’m a natural hermit. I’ve been in constant motion of escape all my life. I never really
found the right corner to hide in.”

“Up there on the screen you’re thirty feet wide, your eyeball is six feet high, but it doesn’t mean that you really amount to anything or have anything
important to say.”

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“[1967] Where are the real artists? Today it’s four-barreled carburetors and that’s it.”

“[1968] The Rin Tin Tin method is good enough for me. That dog never worried about motivation or concepts and all that junk.”

“I only read the reviews of my films if they’re amusing. Six books have been written about me but I’ve only met two of the authors. They get my name and
birthplace wrong in the first paragraph. From there it’s all downhill.”

“[on working with Faye Dunaway] When I got here I walked in thinking I was a star and then I found I was supposed to do everything the way she says. Listen,
I’m not going to take any temperamental whims from anyone, I just take a long walk and cool off. If I didn’t do that, I know I’d wind up dumping her on her
derrière.”

“[on Sarah Miles] She’s a monster. If you think she’s not strong, you’d better pay attention.”

“[asked what he looks for in a script before accepting a job] Days off.”

“[on Steve McQueen] He sure don’t bring much brains to the party, that kid.”

“[on Jane Russell] Miss Russell was a very strong character. Very good-humored when she wasn’t being cranky.”

“They think I don’t know my lines. That’s not true. I’m just too drunk to say ’em.”

“They could never decide to their satisfaction what type I was. One would say, “He’s a heart-broken Byronic.” Another would say, “No, he ain’t; he’s an all-
American boy.” People began talking about Mitchum-type roles, but I still don’t know what they mean. They’d paint eyes on my eyelids, man, and I’d walk
through it.”

“RKO made the same film with me for ten years. They were so alike I wore the same suit in six of them and the same Burberry trench coat. They made a male Jane Russell out of me. I was the staff hero. They got so they wanted me to take some of my clothes off in the pictures. I objected to this, so I put on some
weight and looked like a Bulgarian wrestler when I took my shirt off. Only two pictures in that time made any sense whatever. I complained and they told me
frankly that they had a certain amount of baloney to sell and I was the boy to do it.”

“I worked three pictures for 28 days straight. We’d shoot all night at RKO [The Locket (1946)], then I’d report to Undercurrent (1946) from seven in the
morning until noon, when I’d be flown to Monterey to work all afternoon with Greer Garson [Desire Me (1947)].

“I get along with people very well, really. I do. I do. Really. Every now and then, some guy gets the hots and figures to go home and tell his old lady he
just decked that motherfucker Mitchum. Why, she’ll shoot him, man! “Robert Mitchum? You stomped his ass? Why, you dirty motherfucker!” Me, I’m easy. I don’t
go through red lights. I don’t steal.”

“The single thing I’m grateful for that’s come out of the whole [Vietnam] war mess has been the recognition of the need for communication. I’ve gone sometimes on dangerous waters in the interest of communication because I believe in it. I believe that everyone in the world should at least have the privilege of knowing what’s happening all at the same time. One thing I’ve learned is that the greatest fuckin’ slavery is ignorance, and the biggest commodity is ignorance — the dissemination of ignorance, the sale and burgeoning marketing of ignorance.”

“No, I don’t identify in my mind with criminals, but my exposure to them has helped my understanding. Oh, sure, sure, sure, sure. Sure. I know the freakers,
you know — the burglars, the uptighters, those creeps who puke or jerk off or something every time they make a score, so you can pick up on their modus
operandi.”

“Got the same attitude I had when I started. Haven’t changed anything but my underwear. I’ve played everything except midgets and women. People can’t make up
their minds whether I’m the greatest actor in the world – or the worst. Matter of fact, neither can I. It’s been said I underplay so much, I could have
stayed home. But I must be good at my job. Or they wouldn’t haul me around the world at these prices.”

“I had to go over and light the sabbath candles. I was the only goddamned gentile … I’d go to Mel Blumberg’s house. He had a rabbi uncle who’d read from the Old Testament about Angeles pissing on sinners who were climbing Jacob’s ladder.”

“We had a bunch of us that were going to go to Israel and wear big buttons saying I Like Eich, see how that got across.”

“How do you say trust me in Jewish? ‘**** you’.”

“There just isn’t any pleasing some people. The trick is to stop trying.”

“Maybe love is like luck. You have to go all the way to find it.”

“People think I have an interesting walk. Hell, I’m just trying to hold my gut in.”

“The only difference between me and my fellow actors is that I’ve spent more time in jail.”

“Every two or three years, I knock off for a while. That way I`m always the new girl in the whorehouse.”

“The people who can do you the most damage are the ones who are closest to you.”

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“This is not a tough job. You read a script. If you like the part and the money is O.K., you do it. Then you remember your lines. You show up on time. You do what the director tells you to do. When you finish, you rest and then go on to the next part. That’s it.”

“I have two acting styles: with and without a horse.”

“Listen. I got three expressions: looking left, looking right and looking straight ahead.”

“I never changed anything, except my socks and my underwear. And I never did anything to glorify myself or improve my lot. I took what came and did the best I could with it.”

“These kids only want to talk about acting method and motivation. in my day all we talked about was screwing and overtime.”

“I started out to be a sex fiend, but I couldn’t pass the physical.”

“I kept the same suit for six years and the same dialogue. They just changed the title of the picture and the leading lady.”

“The only effect that I ever noticed from smoking marijuana was a sort of mild sedative, a release of tension when I was overworking. It never made me boisterous of quarrelsome. If anything, it calmed me and reduced my activity.”

“Sure I was glad to see John Wayne win the Oscar I’m always glad to see the fat lady win the Cadillac on TV, too.”

“I’ve still got the same attitude I had when I started. I haven’t changed anything but my underwear.”

“I never take any notice of reviews – unless a critic has thought up some new way of describing me. That old one about my lizard eyes and anteater nose and the way I sleep my way through pictures is so hackneyed now.”

“Stars today are just masturbation images.”

“How do I keep fit? I lay down a lot.”

“I never will believe there is such a thing as a great actor.”

“Movies bore me; especially my own.”

“The only difference between me and my fellow actors is that I’ve spent more time in jail.”

“I gave up being serious about making pictures around the time I made a film with Greer Garson and she took a hundred and twenty-five takes to say no.”

“I started out to be a sex fiend but couldn’t pass the physical.”

“I’ve still got the same attitude I had when I started. I haven`t changed anything but my underwear.”

“Listen. I got three expressions: looking left, looking right and looking straight ahead.”

“People think I have an interesting walk. Hell, I`m just trying to hold my gut in.”

“(on press stories) “They’re all true – booze, brawls, broads, all true. Make up some more if you want to.”

“When I drop dead and they rush to the drawer, there’s going to be nothing in it but a note saying ‘later’.”

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