60+ Norman Stansfield Quotes From LÈon: The Professional Movie

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These Norman Stansfield quotes from LÈon: The Professional Movie. There are so many Norman Stansfield quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these Norman Stansfield quotes exists just do that.

Norman Stansfield is the principle opponent of the 1994 activity wrongdoing show spine chiller film Léon: The Professional. A degenerate DEA specialist, he deals with a medication managing activity in the city of New York, keeping up beneficial associations with a considerable lot of the city’s wrongdoing syndicates simultaneously.

Forceful and disturbed from ongoing medication use, Stansfield will effectively guarantee his activity runs easily – including the homicide of whole families. He was depicted by the Academy Award winning entertainer Gary Oldman who additionally played Egor Korshunov and Jean-Baptiste Emanuel Zorg.

Degenerate, fretful, foul-tempered, impossible to miss and very savage, Stansfield has not just figured out how to plan a noteworthy criminal activity regardless of being a DEA operator subject to the oversight of his bosses, but on the other hand is a routine medication client and fiend – frequently observed bringing down pills before carrying out killings, enduring vicious fits subsequently. Crunched, whiskered and sweat-soaked, his enslavement plainly appears in his appearance some time before it appears in his uncommon conduct.

At first, Stansfield simply appears to be peculiar as opposed to effectively hazardous: completely disengaged from Malky’s debate with Mathilda’s dad, he appears to be substance to tune in to old style music while he leaves his posse to deal with the exchanges. At the point when Mathilda’s dad at long last draws his consideration, Stansfield “recognizes” his deceptive nature by sniffing him, intentionally alarming the man by attacking his own space.

Be that as it may, as he before long illustrates, his amusing tics are regularly joined by brutality: later, subsequent to bringing down a pill and explaining finally on the feelings such “calm little minutes” impart in him, he blasts into Mathilda’s loft and continues to shoot her mom and sister with hardly a pause in between, emulating like a conductor as he walks through the halls.

At that point, having cornered Mathilda’s dad, he puts down his weapon and begins addressing the man on the correct utilization of Beethoven and Mozart in “this sort of work.” Interestingly enough, he takes note of that as much as he makes the most of Beethoven’s suggestions, “he tends to get a bit of screwing exhausting” a while later – and demonstrates this is the main motivation behind why he quit rampaging in any case.

We have dug up these Norman Stansfield quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of Norman Stansfield Sayings in a single place. These famous Norman Stansfield quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular Norman Stansfield quotes should be read with caution and proper understanding of the context. Here are tons of Norman Stansfield quotes that will open a treasure chest of Wisdom and experiences: –

“I like these calm little moments before the storm. It reminds me of Beethoven.”

Norman Stansfield best quotes

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“I haven’t got time for this Mickey Mouse bullshit.”

Norman Stansfield famous quotes

“I’m sorry. And you want to join him?”

Norman Stansfield popular quotes

“Jesus! Look what you did! LOOK- WHAT- YOU DID!”

Norman Stansfield quotes

“We said noon. I’ve got one minute past.”

Norman Stansfield saying

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“You don’t like Beethoven. You don’t know what you’re missing. Overtures like that get my juices flowing. So powerful! But after his openings, to be honest, he does tend to get a little ****ing boring… That’s why I stopped!”

“Death is… whimsical, today.”

“I have a lot of respect for your business, Tony. When you’ve killed for us in the past, w-we’ve always been satisfied. And that’s exactly why today is going to be very, very hard for me.”

“My man was killed right here on your turf, and the Chinks tell me that the hit man was kind of the, uh, Italian type. So we figured Tony might know something. Wait, there’s more – you’re gonna love this. A few hours later, a little twelve-year-old girl comes into my office armed to the teeth, with the firm intention of sending me straight to the morgue. And you know who came and got her, in the middle of the afternoon, right there in my building? The very same Italian hit man. I’m dying to meet him!”

“Hey! Hey-ey-ey-ey-ey! I just said take the guy out, not the whole ****ing building!”

“What-what-what? There’s two hundred men and you can’t find one man and a girl? Did you find the girl?”

“Bring me everyone…[his subordinate asks him what he means] EV-ERY-ONE!!!”

“(To Mathilda) Do you like life, sweetheart? (She says yes) Good, because I take no pleasure in taking a life from someone who doesn’t care about it.”

“[after seeing that Lèon has pulled a grenade pin] Shit. [the grenade explodes]”

“Bring me everyone.”

“EVERYONE.”

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“It’s always the same thing. It’s when you start to become really afraid of death that you learn to appreciate life. Do you like life, sweetheart?”

“That’s good, because I take no pleasure in taking life if it’s from a person who doesn’t care about it.”

“At your service.”

“[sees that it’s a pin for a grenade] Shit.”

“I like these calm little moments before the storm. It reminds me of Beethoven. Can you hear it? It’s like when you put your head to the grass and you can hear the growin’ and you can hear the insects. Do you like Beethoven?”

“You don’t like Beethoven. You don’t know what you’re missing. Overtures like that get my… juices flowing. So powerful. But after his openings, to be honest, he does tend to get a little fucking boring. That’s why I stopped!”

“Toss the apartment.”

“[catching Mathilda in the bathroom with food bags] Special delivery huh… Let me guess… Chinese? Thai, maybe? Ahh, I’ve got it. Italian food”

“What’s your name angel…”

“… Mathilda, I want you to put the sack on the floor… good… Now, I want you to tell me everything you know about Italian food, and don’t forget the name of the chef who fixed it for me.”

“Ahh… so this is… something… personal?… What filthy peice of… shit… did I do now?”

“Death is… whimsical… today.”

“[after the building explodes] Hey, what the fuck is going on up there? I said take the guy out, not the whole fucking building!”

“I have a lot of respect for your business, Tony. When you’ve killed for us in the past we’ve always been satisfied. And that’s exactly why today is going to be very, very hard for me. I hope you’ll excuse my mood.”

“My man was killed, right here, on your turf. And the chinks tell me that the hit man was kind of the… Italian type. So we figured that, uh, Tony might know something.”

“Wait – there’s more. You’re gonna love this. A few hours later, a little twelve-year-old girl comes to my office armed to the teeth, with the firm intention of sending me straight to the morgue. And do you know who came and got her in the middle of the afternoon right there in my building? The very… same… Italian hit man.”

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“I’m dying to meet him.”

“You’re a Mozart fan. I love him too. I looooove Mozart! He was Austrian you know? But for this kind of work,”

“he’s a little bit light. So I tend to go for the heavier guys. Check out Brahms. He’s good too.”

“I’m calm.”

“[shoots the window next to her] He said, “Go back inside”.”

“I told you.”

“I take no pleasure in taking a life if it’s from a person who doesn’t care about it.”

“It’s the cops outside… we better go.”

“What filthy piece of shit did I do now?”

“But he ruined my suit.”

“Be careful.”

“I like these calm little moments before the storm. It reminds me of Beethoven. Can you hear it? It’s like when you put your head to the grass and you can hear the growin’ and you can hear the insects. Do you like Beethoven?”

“You don’t like Beethoven. You don’t know what you’re missing. Overtures like that get my… juices flowing. So powerful. But after his openings, to be honest, he does tend to get a little fucking boring. That’s why I stopped! [laughs and sighs] Toss the apartment.”

“The guy was here, he went for his gun. Bang! We shot him.”

“I don’t know! They should have been at school, don’t you think?”

“I lost a good man here. What the fuck do you want with me?”

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“I haven’t got TIME for this Mickey Mouse bullshit! You want cooperation? Come up my office, will you? Room 4602.”

“Special delivery, huh? Let me guess. Chinese? Thai, maybe? I’ve got it — Italian food. What’s your name, angel?”

“Mathilda, I want you to set the sack on the floor. Good. [He draws a pistol.] And now, I want you to tell me everything you know about Italian food… and don’t forget the name of the chef who fixed it for me.”

“So, th-th-this, this is something personal, is it? What filthy piece of shit… did I do now?”

“I’m sorry. [he moves in close to Mathilda.] And — you wanna join him?”

“It’s always the same thing. It’s when you start to become really afraid of death that you learn to appreciate life. Do you like life, sweetheart?”

“That’s good — because I take no pleasure in taking a life if it’s from a person who doesn’t care about it.”

“Death is… whimsical today.”

“I told you. Benny, bring me everyone.”

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