90+ ‘Joliet’ Jake Blues Quotes From The Blues Brothers Movie

Joliet' Jake Blues best quotes

These ‘Joliet’ Jake Blues quotes are from Blues Brothers movie. There are so many ‘Joliet’ Jake Blues quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these ‘Joliet’ Jake Blues quotes exists just do that.

Born in Chicago on January 24th, 1949, John Belushi was the subsequent tyke and oldest child of restaurateur Adam (an Albanian outsider) and his vivacious spouse, Agnes (whose guardians were Albanian foreigners).

From a youthful age, John and his more seasoned sister, Marian where permitted to meander their neighborhood of Humboldt Park unaided by grown-ups. This encouraged in John an early feeling of freedom and love of experience.

When John was six, his family moved toward the western suburb of Wheaton, Illinois, where two additional children, Jim (entertainer James Belushi), and Billy were born.The community of Wheaton was a glaring difference to the city life John had known.

The swarthy Albanian outsider child, he turned into the ideal all-American kid during his secondary school years, very not at all like his later wildman open persona. Co-chief of the Wheaton Central High School football crew, he was an All-State assigned line-sponsor and was chosen homecoming ruler his senior year.

He likewise built up an enthusiasm for parody and acting while in secondary school, and showed up in the secondary school theatrical presentation and various plays, including a four-man dramatization which won third spot in state rivalry. Throughout the late spring before his senior year, John met and experienced passionate feelings for his future spouse, Judy Jacklin.

In the fall of his first year at the University of Wisconsin at Whitewater, John’s picture fundamentally changed when he developed his hair since quite a while ago, wore a harmony image, and took to wearing bellbottoms.

His legislative issues ended up radical also, and he ended up dynamic in the counter war development. Funds were tight, so John left Whitewater and moved to the College of DuPage, a lesser school a couple of miles from his folks’ home. This was uplifting news to Judy as she was then a senior in secondary school.

While going to DuPage, John shaped the West Compass Players, an improved satire troupe designed after Chicago’s acclaimed Second City gathering. In 1971, John made the jump to Second City itself where he shaped long lasting companionships with individual entertainers Harold Ramis, Brian Doyle Murray, and Joe Flaherty.

Following a year at the Second City, John was thrown in the off-Broadway stage show of National Lampoon’s Lemmings, a stone melodic revue. John and Judy moved to New York City, where the two of them worked for National Lampoon. Shockingly, and to John’s enjoyment, the show played to full groups for almost ten months.

In 1974, John was employed as an author for the syndicated National Lampoon Radio Hour. Not long after, he turned into the show’s imaginative executive and quickly contracted old companions Ramis, Doyle Murray, and Flaherty, and included the youthful Gilda Radner, a Toronto Second City alumne, to the gathering.

This group additionally made the National Lampoon Show, which opened in NYC in 1975. Ensuing increments to the cast included Bill Murray and Richard Belzer. John’s huge break came later that equivalent year when he joined NBC’s noteworthy TV arrangement Saturday Night Live. It was here that he rose to notoriety and his eccentric, forcefully physical style of amusingness bloomed. In 1976, John and Judy were hitched.

In 1978, while as yet working at Saturday Night Live, John showed up in the film Goin’ South, featuring and coordinated by Jack Nicholson. He took this bit part to get film involvement for his up and coming job in a motion picture that Lampoon journalists Harold Ramis, Doug Kenney, and Chris Miller had composed for him, called National Lampoon’s Animal House. John’s character, the infamous, brew swilling Bluto, stole the film, which caught fraternity house dirty tricks at a little school in the mid-1960s.

In spite of showing up in just twelve scenes, John’s presentation made the film a film industry crush and the year’s top netting parody. While taping Animal House in Eugene, Oregon, John met and learned at the feet of bluesman Curtis Salgado, who stirred in the on-screen character an adoration for America’s foundations music—an affection effectively shared by SNL accomplice Dan Aykroyd.

Today, John’s famous stature lives on gratitude to the faction status of Animal House and the early long periods of Saturday Night Live, however generally through the all-inclusive and suffering intrigue of his most close to home creation, Jake and Elwood Blues—the Blues Brothers.

We have dug up these ‘Joliet’ Jake Blues quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of ‘Joliet’ Jake Blues Sayings in a single place. These famous ‘Joliet’ Jake Blues quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular ‘Joliet’ Jake Blues quotes should be read with caution and proper understanding of the context. Here are tons of ‘Joliet’ Jake Blues quotes that will open a treasure chest of Wisdom and experiences: –

“Bring me four fried chickens and a Coke.”

Joliet' Jake Blues best quotes

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“Yes! Yes! Jesus H. tap-dancin’ Christ, I have seen the light!”

Joliet' Jake Blues famous quotes

“You got us into this parking lot pal! Now you get us out!”

Joliet' Jake Blues popular quotes

“The Caddy! Where’s the Caddy?”

Joliet' Jake Blues quotes

“This don’t look like no expressway to me!”

Joliet' Jake Blues saying

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“[At the Chez Paul restaurant, talking in fake foreign accent] How much for the little girl? Your women – how much for the women? The little girl your 2 daughters, sell them to me, SELL ME YOUR CHILDREN!”

“[Again, at Chez Paul, talking in foreign accent] You! How much for your wife? Ha ha ha ha ha!”

“I usually get inside the car so I can sign the check on the glove compartment lid.”

“I ran outta gas! I had a flat tire! I didn’t have enough money for cab fare! My tux didn’t come back from the cleaners! An old friend came in from outta town! Someone stole my car! There was an earthquake! A terrible flood! Locusts!! It wasn’t my fault I swear to God!!!”

“If you say “no”, Elwood and I will come here for breakfast, lunch and dinner – every day of the week.”

“First, you trade the Bluesmobile in for a microphone. Then, you lie to me about the band. Now, you’re about to get me put back in the joint on the very day I just got out!”

“[During a car chase in a mall] …disco pants and haircuts…”

“[Same car chase, after Elwood says baby clothes] This place has got everything!”

“Hit it.”

“Got any fried chicken?”

“Four fried chickens and a Coke.”

“A Coke.”

“I hate Illinois Nazis.”

“What’s this?”

“This car. This stupid car! Where’s the Cadillac?”

“The Cadillac we used to have. The Bluesmobile!”

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“You traded the Bluesmobile for this?”

“A microphone?”

“Okay I can see that. What the hell is this?”

“Well thank you, pal. The day I get outta prison, my own brother picks me up in a *police* car!”

“The band? The band.”



“How often does the train go by?”

“We’re putting the band back together.”

“It’s good to see you, sweetheart.”

“Oh, please, don’t kill us! Please, please don’t kill us! You know I love you baby. I wouldn’t leave ya. It wasn’t my fault!”

“No, I didn’t. Honest… I ran out of gas. I… I had a flat tire. I didn’t have enough money for cab fare. My tux didn’t come back from the cleaners. An old friend came in from out of town. Someone stole my car. There was an earthquake. A terrible flood. Locusts! IT WASN’T MY FAULT, I SWEAR TO GOD!”

“[to Elwood] Let’s go.”

“No I don’t like it…”

“Car’s got a lot of pickup.”

“Fix the cigarette lighter.”

“[fakes accent] How much for the little girl? How much for the women?”

“Your women. I want to buy your women. The little girl, your daughters… sell them to me. Sell me your children!”

“How much?”

“We’ll put the band back together, do a few gigs, we get some bread. Bang! Five thousand bucks.”

“What are you talking about?”

“Yeah, so you know where they are. You said you were gonna keep in touch with them.”

“They’re not the kinda guys who write letters. You were outside, I was inside. You were supposed to keep in touch with the band. I kept asking you if we were gonna play again.”

“You lied to me.”

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“[to Sister Mary Stigmata] Five grand? No problem, we’ll have it for you in the morning. Let’s go, Elwood.”

“Well then… I guess you’re really up Shit Creek.”

“I offered to help you… You refused to take our money. Then I said: I guess you’re really up Shit Creek!”

“Oh shit!”

“First you traded the Cadillac in for a microphone. Then you lied to me about the band. And now you’re gonna put me right back in the joint!”

“Uh, Bob, about the money for tonight.”

“How are you gonna get the band back together, Mr. Hot Rodder? Those cops have your name, your address…”

“1060 West Addison? That’s Wrigley Field.”



“Ma’am, would it make you feel any better if you knew that what we’re asking Matt here to do is a holy thing?”

“[about the electric piano] $2,000 for this chunk of shit? C’mon, Ray.”

“Book us for tomorrow night.”

“That’s where they got that Picasso.”

“Maury, you gotta come through for us. We need $5,000 fast.”

“If you say no, Elwood and I will come here for breakfast, lunch, and dinner every day of the week.”

“What are we doing here?”

“Yeah? So I lied to her.”

“No… fucking… way.”

“This is where they pay the taxes, right?”

“5,000 bucks, it’s all there pal…”

“[falls down after getting smacked by Sister Mary Stigmata] Fuck this noise, man!”

“Curtis, I don’t want to listen to no jive-ass preacher talking to me about Heaven and Hell.”

“This place has got everything.”

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“Look at you, in those candy-ass monkey suits. And I thought I had it bad in Joliet.”

“My name is Jacob Stein. I’m from the American Federation of Music. I’ve been sent to see if you gentlemen are carrying your permits.”

“Your union cards. May I see your cards please?”

“This don’t look like no expressway to me!”

“Well whadda you want me to do, Motorhead?”

“You got us into to this parking lot, pal. Now you get us out!”

“Disco pants and haircuts…”

“[makes a reassuring gesture to Elwood] No problem.”

“What the fuck was that?”

“Is that serious?”


“Take $1400 and give it to Ray’s Music Exchange in Calumet City. Give the rest to the band.”

“That Night Train’s a mean wine.”

“Oh yeah? Well me and the Lord, we have an understanding.”


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