100+ In the Heat of the Night Quotes that reflects the positive role model of race relation

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In the Heat of the Night saying
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In the Heat of the Night Quotes that reflects the positive role model of race relation .There are so many In the Heat of the Night quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these In the Heat of the Night quotes exists just do that.

In the Heat of the Night, an American mystery drama movie was directed by Norman Jewison. The producer of the film is Walter Mirisch. The screenplay for the film was done by Stirling Silliphant. In the Heat of the Night was a novel written by John Ball and published in 1965. The film is based on this novel. The major cast of the film includes Sydney Poitier and Rod Steiger. The film was distributed by the United Arts. The production company that supported the film was The Mirisch Corporation. In the United States, the film got released on August 2, 1967. The film was made in a low budget. The cost of production of the film was around two million US dollars only. But after its release, the film grossed about twenty-four million US dollar.

The film is about Virgil Tibbs, a detective who was caught in the hands of racial tension in the United State South. He was arrested when a well-known businessman was murdered. The reason he was arrested was his presence in the Sparta station. Soon when the local police officer Gillespie found out that he was an expert in homicide, the officer asked for his help in assisting him. The man who was murdered is said to be Mr Colbert, who moved on to Sparta to start a new factory. His wife doubted Endicott, who was a powerful man who would lose his business if a new factory rises in the city.  Rowing through danger, Scott finally finds the killer.

The film was considered a box office hit. It also received many positive reviews from critics all over the world. The film was honoured with five Academy Awards. This includes the Best Picture and Best Actor awards. After the release of the film, two sequels “They Call Me Mister Tibbs” in 1970 and “The Organization” in 1971 respectively were made. Even though the film shows Sparta in Mississippi, the filming was done in Sparta, Illinois.  In the American Film Institute’s 100 years 100 Movie Quotes, the famous phrase ‘They call me Mister Tibbs!’ was ranked number 16.

We have dug up these In the Heat of the Night quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of In the Heat of the Night Sayings in a single place. These famous In the Heat of the Night quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular In the Heat of the Night quotes should be read with caution and proper understanding of the context. Here are tons of In the Heat of the Night quotes that will open a treasure chest of Wisdom and experiences: –

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“They got a murder on their hands… they don’t know what to do with it.”

In the Heat of the Night saying

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“I got the motive which is money and the body which is dead.”

In the Heat of the Night quotes

“Where you keeping the pie tonight?”

In the Heat of the Night popular quotes

“They call me Mister Tibbs!”

In the Heat of the Night famous quotes

“Your not going to do nothing. Your just going to stand there and shut up.”

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In the Heat of the Night best quotes

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“Now listen, hear me good, Mama. Please. Don’t make me have to send you to jail… There’s white time in jail and there’s colored time in jail. The worst kind of time you can do is colored time.”

“They’re going to pin something on that smart cop from Philadelphia… maybe a medal… maybe a murder!”

“Virgil Tibbs: They call me Mister Tibbs!”

“Virgil Tibbs: They call me Mister Tibbs
Virgil Tibbs: They call me Mister Tibbs.”

“Police Chief Bill Gillespie: Just once in my life, I’m gonna own my temper. I’m telling you that you’re gonna stay here. You’re gonna stay here if I have to go inside and call your chief of police and have him remind you of what he told you to do. But I don’t think I have to do that, you see? No, because you’re so damn smart. You’re smarter than any white man. You’re just gonna stay here and show us all. You’ve got such a big head that you could never live with yourself unless you could put us all to shame. You wanna know something, Virgil? I don’t think that you could let an opportunity like that pass by.”

“Gillespie:
Whatcha hit him with?”

“Tibbs:
Hit whom?”

“Gillespie:
“Whom”? Are you a northern boy? What’s a northern boy doing down here?”

“Chief Gillespie:
I got the motive which is money and the body which is dead.”

“Virgil Tibbs:
They call me MISTER Tibbs!”

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“Chief Gillespie:
Mr. Tibbs! Well Mr. Woods take Mr. Tibbs! Take him down to the depot and I mean boy like now!”

“Ofcr. Sam Wood:
“Where you keeping the pie tonight?”

“Ralph Henshaw, diner counterman:
I ate the last piece just before you came in.”

“Chief Gillespie:
You take care, y’hear?”

“Virgil Tibbs:
Yeah.”

“Chief Gillespie: Got a name, boy?”

“Tibbs: Virgil Tibbs.”

“Gillespie: Virgil? [Laughing] Well, I don’t think we’re going to have any trouble, are we, Virgil?”

“Tibbs: No trouble at all.”

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“Gillespie: You can go now, Sam. [Deputy Sam Wood leaves the room] Whatcha hit him with?”

“Tibbs: Hit whom?”

“Gillespie: “Whom”? “Whom”? Well, you a Northern boy? What’s a Northern boy like you doing all the way down here?”

“Tibbs: I was waiting for the train.”

“Gillespie: There ain’t no trains this time in the morning.”

“Tibbs: Tuesdays only 4:05 to Memphis.”

“Gillespie: You say. [train horn blowing] Well, alright. You say right. Now, look. I try to run a nice, clean, safe town here. A town where a man can sneeze
and not get his brains beat out. You follow me?”

“Tibbs: Yes.”

“Gillespie: Why don’t you tell me how you killed Mr. Colbert, and I promise you you’re gonna feel a whole lot better.”

“Tibbs: I earned that money, ten hours a day, seven days a week.”

“Gillespie: Colored can’t earn that kind of money [a few hundred dollars], boy. Hell, that’s more than I earn in a month! Now where did you earn it?!”

“Tibbs: Philadelphia.”

“Gillespie: Mississippi?”

“Tibbs: Pennsylvania.”

“Gillespie: Now just what do you do up there in little old Pennsylvania to earn that kind of money?”

“Tibbs: I’m a police officer.
[After checking Tibbs’ wallet, Gillespie is silent for several moments; until now he didn’t know his deputies had arrested another law enforcement officer.]”

“Gillespie: Wood!”

“Wood: [Enters the office] Yes, sir?”

“Gillespie: Did you question this man before you brought him in?”

“Wood: No, sir.”

“Gillespie: Would you mind takin’ a look at that?
[Wood checks Tibbs’ wallet and finds his police identification. He puts the wallet back down, looking embarrassed.]”

“Gillespie: Yeah! Oh, YEAH! Alright, now, I’ll check on this wise city boy from Philadelphia; you take ‘im outside and hold ‘im.”

“Tibbs: May I suggest you call my chief rather than send a wire or anything, I mean, it would be quicker, and I’ll pay for the call.”

“Gillespie: You hear him? You hear him say he’ll pay for the call? How much they pay you to do their police work?”

“Tibbs: A hundred and sixty-two dollars, and thirty-nine cents per week.”

“Gillespie: [Whistles] A hundred and sixty-two dollars and thirty-nine cents a week? Well, boy! Sam, you take him outside but treat him easy, because a man
that makes a hundred and sixty-two dollars and thirty-nine cents a week, man, we do not want to ruffle him!”

“Gillespie: So, you’re their number one homicide expert.”

“Tibbs: Yes.”

“Gillespie: Boy, I bet you get to look at a lot of dead bodies, don’t’cha?”

“Tibbs: Lots.”

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“Gillespie: Well?”

“Tibbs: Well, what?”

“Gillespie: Well, I just thought that, maybe, uh, maybe you wouldn’t mind takin’ a look at this one?”

“Tibbs: No, thanks.”

“Gillespie: Well, why not, expert?”

“Tibbs: Because I’ve got a train to catch!”

“Gillespie: Now, wait a minute! That train don’t leave till twelve o’clock noon! They pay you a hundred and sixty-two dollars and thirty-nine cents a week
just to look at bodies- why can’t you look at this one?!”

“Tibbs: Why don’t you look at it for yourself?”

“Gillespie: Because I’m not an expert! Officer!”

“Mrs. Colbert: I came by to make it as clear as I possibly can: that I do not want the Negro officer taken off this case.”

“Mayor Schubert: Negro officer?”

“Gillespie: Yeah, well he, uh… he comes from up North, you see, and he was, uh, kinda… passing through…”

“Mrs. Colbert: I don’t care what he is. If it wasn’t for him, your impartial chief of police would still have the wrong man behind bars. I want that officer
given a free hand, otherwise I will pack up my husband’s engineers… and leave you… to yourselves.”

“Tibbs: When I examined the deceased, it was obvious that the fatal blow was struck from an angle of seventeen degrees to the right, which makes it almost
certain the person who did it was right-handed.”

“Gillespie: So what?”

“Shagbag: Ol’ Harv’s left-handed, Chief. Everyone in town knows that.”

“Wood: Yeah, that’s what we figured out, Chief, uh-huh, Harvey’s lefty.”

“Gillespie: Well, you’re pretty sure of yourself, ain’t you, Virgil? Virgil—that’s a funny name for a nigger boy that comes from Philadelphia! What do they
call you up there?”

“Tibbs: They call me Mr. Tibbs!”

“Gillespie: “Mr. Tibbs”? Well Mr. Wood, take Mr. Tibbs, take him down to the depot, and I mean boy right now!”

“Note: The bold quote is ranked #16 in the American Film Institute’s list of the top 100 movie quotations in American cinema.”

“Endicott: Let me understand this. You two came here… to question me?”

“Tibbs: Well, your attitude, Mr. Endicott, your points of view, are a matter of record. Some people- well, let us say, the people who work for Mr. Colbert-
might reasonably regard you as the person least likely to mourn his passing. We were just trying to clarify some of the evidence. Was Mr. Colbert ever in
this greenhouse, say, last night, about midnight?
[Losing his composure, Endicott slaps Tibbs across the face. Tibbs slaps Endicott right back, visibly shocking him.]”

“Endicott: Gillespie?”

“Gillespie: Yeah.”

“Endicott: You saw it.”

“Gillespie: I saw it.”

“Endicott: Well, what are you gonna do about it?”

“Gillespie: I don’t know.”

“Endicott: I’ll remember that. [to Tibbs] There was a time… when I could’ve had you shot.”

“Mayor Schubert: Bill… what’s made you change your mind about Tibbs?”

“Gillespie: Who says I have?”

“Mayor Schubert: Last Chief we had… he’d have shot Tibbs one second after he slapped Endicott, claimed self-defense.”

“Tibbs: I’m going home, man.”

“Gillespie: They’re your people!”

“Tibbs: Not mine! Yours! You made this scene.”

“Gillespie: Look, you want me to beg you, is that it?”

“Tibbs: Look, I’ve had your town- up to here!”

“Gillespie: Boy, it would give me a world of satisfaction to horse whip you, Virgil.”

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“Tibbs: [laughing] My father used to say that. He even did a couple of times.”

“Gillespie: Yeah, well, not enough to suit me! Now you listen to me. Just for once in my life I’m gonna hold my temper. I’m tellin’ you you’re gonna stay here. You’re gonna stay here if I have to go inside and call your chief of police and have him remind you of what he told you to do. But I don’t think I have to do that, you see? No. Because you’re so damn smart. You’re smarter than any white man. You’re just gonna stay here and show us all. You’ve got such a big head that you could never live with yourself unless you could put us all to shame! You wanna know somethin’, Virgil? I don’t think that you could let an opportunity like that pass by.”

“That Sunday, from six o’clock in the evening, it was a Viennese orchestra that played.”

“Everything ungirt, artless, ardent, urgent about Louie was to the fore: all over herself she gave the impression of twisted stockings.”

“There can occur in lives a subsidence under the soil, so that, without the surface having been visibly broken, gradients alter, uprights cant a little out of the straight.”

“Habit, of which passion must be wary, may all the same be the sweetest part of love.”

“She had one of those charming faces which, according to the angle from which you see them, look either melancholy or impertinent. Her eyes were grey; her trick of narrowing them made her seem to reflect, the greater part of the time, in the dusk of her second thoughts. With that mood, that touch of arriere pensee, went an uncertain, speaking set of lips.”

“By the rules of fiction, with which life to be credible must comply, he was as a character “impossible” – each time they met, for instance, he showed no shred or trace of having been continuous since they last met.”

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