100+ Edward Norton Quotes That Will Make You Follow Your Dreams

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Edward Norton famous quotes

Edward Norton quotes that will make you follow your dreams. There are so many Edward Norton quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these Edward Norton quotes exists just do that.

Edward Norton is a very famous American actor and also a filmmaker. Edward Norton has earned a lot of awards and nominations like the Golden Globe Award and also three Academy Award nominations.

Edward Norton had been raised in Columbia and had been drawn to theatrical productions at a lot of local venues as a child. After Edward Norton had completed his graduation from Yale University in the year, 1991, Edward Norton had worked for some time in Japan and then relocated to New York City and pursued his career in acting. Edward Norton had earned a lot of recognition for his debut in the movie, Primal Fear (1996), which earned him a Golden Globe for Best Supporting Actor and also one Academy Award nomination. Edward Norton’s role as a reformed neo-Nazi in American History X had earned Edward Norton an Academy Award nomination for Best Actor. Edward Norton had starred in Fight Club (1999), and this had earned a cult following.

Edward Norton had emerged as a filmmaker during the 2000s. Edward Norton had established Class 5 Films, which is a production company in the year, 2003, and had been the director or producer of the movies Down in the Valley (2005), The Painted Veil (2006) and also, Keeping the Faith (2000). Edward Norton had then continued to earn a lot of acclaim for his roles in 25th Hour (2002), The Score (2001), Moonrise Kingdom(2012) The Illusionist (2006), and also, The Grand Budapest Hotel (2014). Edward Norton has made appearances in Kingdom of Heaven(2005), Red Dragon (2002), The Bourne Legacy (2012) and also, The Incredible Hulk (2008).

We have dug up these Edward Norton quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of Edward Norton Sayings in a single place. These famous Edward Norton quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular Edward Norton quotes should be read with caution and proper understanding of the context. Here are tons of Edward Norton quotes that will open a treasure chest of Wisdom and experiences:

“I almost forgot what it’s like to be proud of my government.”

Edward Norton best quotes

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“Fame is very corrosive and you have to guard very strictly against it.”

Edward Norton famous quotes “I don’t get much out of doing a red carpet.”

Edward Norton popular quotes “If I ever have to stop taking the subway, I’m gonna have a heart attack.”

Edward Norton quotes

“Everyone keeps saying the western’s dead, but it’s not.”

Edward Norton saying

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“Acting? It’s a longstanding compulsion I’ve had since I was about five or six years old. I can literally identify the moment it struck me. I went to see a
play [If I Were a Princess] in which a babysitter of mine [Betsy True, who later acted on Broadway] was performing. I was completely shell-shocked by the
magic of this little community-theater play; it just riveted me.”

“I don’t smoke and I don’t want to smoke. I am not a fan of gratuitous smoking in films.”

“Life, like poker has an element of risk. It shouldn’t be avoided. It should be faced.”

“I’ve never felt any particular encroachment of the ‘celebrity’ stuff into my life.”

“I’m an actor and, each time out, I’m trying to convince the audience that I’m this character. Every little thing that people know about you as a person
impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character [he’s] playing.”

“The more you can create that magic bubble, that suspension of disbelief, for a while, the better.”

“It’s a nice position to be in; I’m lucky. At the same time, all the excitement of that has been put into stark perspective … In some ways, the highs of it
have been blunted, which in a way, is a gift.”

“First of all, you never make all things for all people and can’t always pander to the broadest denominator. I keep an eye toward doing the themes that
interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.”

“People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of
very banal movies.”

“I’m not interested in making movies for everybody. I like making movies for myself and my friends and people with my sensibility.”

“I always felt that acting was an escape, like having the secret key to every door and permission to go into any realm and soak it up. I enjoy that free pass.”

“Nobody makes me uncomfortable here. It’s a place where you can be eternally anonymous. – the reason he loves living in New York City.”

“In fact, the United States today keeps on making the same sort of mistakes. We force those methods we think are useful on a few countries, hoping to make a
few changes.”

“I get heartbroken flying into L.A. It’s just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields?
Can you imagine what John Steinbeck saw?”

“Just because you’ve made a couple movies, you’ve done some good movies, you’ve been nominated for some Academy Awards, whatever, nobody’s entitled. It’s a
business. If they don’t see it, I can think they’re wrong, but I’m not entitled to a $15 million budget to make a film.”

“He has such a rich mellifluous voice. Anytime I would hear him speak, it would remind me of how flat my voice is. (about Ralph Fiennes)”

“[on showing Marlon Brando The Simpsons (1989)] I showed him the episode where Marge gets cast in a musical version of “A Streetcar Named Desire”. He loved
it. Marlon loves stuff like that.”

“[on Robert De Niro] I look at De Niro, and the thing I admire about him is just the length and diversity of his career. He has just done so much wonderful
work and so many different kinds of work. That to me is worth something.”

“I remember when I heard they were making The Lord of the Rings: The Fellowship of the Ring (2001), I was like, ‘God, if they cheese those out, I’m going to
be so disappointed. (But) those films were inspiring to me in terms of deciding to take The Incredible Hulk (2008).”

“[on his role as a policeman in Pride and Glory (2008)] I started to have a special interest in this project when I thought this could actually be something
that’s reflecting the moment we are going through – in terms of a nation and as a culture – regarding a sense of ethics.”

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“All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It’s fun, and it’s fun
because it’s hard.”

“I haven’t personally really engaged in a lot of this new kind of social networking stuff like Twitter or Facebook or MySpace. I mean, the notion of people
following what I am doing every day is like torture for me. It’s absolutely the last thing that I’m looking for. It seems to me to be really just about
social chatter.”

“When you’re working on a creative thing, everyone has an idea, and they’re pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want. Familiarity breeds contempt, people say. But I’ve found, for creative things, familiarity breeds peace of mind, because you realize you know someone better. You trust each other. You know not to take things a certain way, or a wrong way. You get to where you don’t have to waste quite so much time with diplomacy. Things are a little more efficient.”

“We’ve had a seminal legal decision whereby the Supreme Court defined corporations as having the same rights as individuals. It’s having a massive impact on
our politics. It’s unleashed unlimited corporate spending on our elections, which is terrifying. The facade is now fully peeled off. There’s no pretense
about having limitations over how wealthy individuals and corporations can exert an unhealthy influence on politics with their money. It used to be a game –
now no one’s pretending any more. Individuals can contribute $20million while previously the maximum was $5,000. It’s a radical transformation. You wonder
what will occur before people feel it’s creating an imbalance which diminishes them.”

“I studied music, theater and fine arts. My mother taught English literature and courses on Shakespeare (William Shakespeare). She was a regular theatergoer
and I used to go with her. When I was 16, I saw Ian McKellen do a one-man show called Acting Shakespeare. It had an impact on my sense that acting was
something you could do as an adult that affected people, that it wasn’t just for entertainment, that you could change someone’s mind with it. I started
performing in the theater a lot more after that.”

“There’s been a shift from people buying DVDs to streaming them online. The studios have been asleep at the switch and suffered a huge loss of revenue from
falling DVD sales. Unfortunately, that revenue was often what helped convince them to make films which aren’t blockbusters. Studios aren’t as willing to make
mid-budget, more thoughtful films aimed at adults. It’s more challenging to get those films made than it was.”

“I spent a lot of my early career in the theatre – and by that I mean as an usher.”

“[About congress & global warming] I have very little doubt that the legacy of my generation is going to hinge on how we respond to these revelations that
we’re not living sustainably and that we are altering the environment.”

“[About George W. Bush] I almost forgot what it’s like to be proud of my government.”

“If I ever have to stop taking the subway, I’m going to have a heart attack.”

“[After not voting for George W. Bush in 2004] Do tax breaks for movie stars make any sense to you?”

“I grew up an honorary Jew. If you go to more than ten barmitzvahs you get an honorary Jew certificate. I went to at least ten in one year. I was drunk on
Manischevitz half of 1987!”

“[About doing sequels] I think you can sort of do anything once, but if you do it too many times, it can become a suit that’s hard to take off, in other
people’s eyes.”

“The best films of any kind, narrative or documentary, provoke questions.”

“The incentive for business is not, and cannot, be anything other than the root incentive for all business: they must profit.”

“Life, like poker has an element of risk. It shouldn’t be avoided. It should be faced.”

“To me, achieving tone, achieving consistency, is exactly the job of a director. It is to be the fusing, the nexus of a whole bunch of people contributing to the complex life of a movie. There are actors, there’s a cinematographer, there’re costume people, set people, there are all these things, and you somehow have to be the person in the middle of it who is making it all synchronize into the same magic bubble.”

“The more you do your homework, the more you’re free to be intuitive. But you’ve got to put the work in.”

“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.”

“Instead of telling the world what you’re eating for breakfast, you can use social networking to do something that’s meaningful.”

“When people come together too young, they try to become one person. As you get older, you realize that you don’t want to become one person because then you lose the person you are.”

“The more you can create that magic bubble, that suspension of disbelief, for a while, the better.”

“If two people are at completely different stages in their spiritual life, that can present a real problem.”

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“I never think that a film should answer questions for you. I think it should make you ask a lot of questions.”

“What has always been most interesting about acting to me personally is that it affords you the chance to shift gears, both in terms of the experiences you get to have through doing it, but also the different kinds of things you get to represent.”

“I do subscribe to the maxim that generally comedy is like jazz. Either you get it or you don’t. You can’t learn it and you can’t be taught it. I don’t think that if you are not a funny person, you can fake it.”

“I don’t smoke and I don’t want to smoke. I am not a fan of gratuitous smoking in films.”

“Most people don’t relate to and can’t generate concern for something they don’t encounter personally or feel personally affected by. People have to have the palpable negatives in their lives dissected for them in ways that let them understand the root causes of unhealthy, unhappy conditions in their lives and then be allowed to really see and feel the positive alternatives.”

“Well, I don’t feel that I’ve played so many bad guys, and I’m rot really drawn to villains per se. I think a lot of people relate to some of my characters’ inner struggles.”

“Most of us still believe in the intrinsic value of nature, but I think the first century of the environmental/conservation movement demonstrated pretty clearly that this value cannot compel a civilization-wide shift toward sustainable behavior and enterprise when stacked up against the urgent economic and social needs of 7 billion people, most of whom are struggling to get out of poverty.”

“I like it when the deeper you go with the character, the more you see the layers start to peel away.”

“The “environmental movement” is becoming an economic movement, is joining the social justice movement, is becoming a sustainability movement. It’s leaving behind the “People’s Needs versus Nature’s Needs” conflict in favor of making the case for environmental health as the essential underpinning of prosperous and stable human civilization.”

“I’ve always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You’re trying to get inside a certain emotional reality or motivational reality and try to figure out what that’s about so you can represent it.”

“I think that the environmental movement is wisely moving away from a largely emotion-based argument for the spiritual or intrinsic value of Nature with a capital “N” and evolving toward a very hard-nosed case for the economic value of natural capital, ecosystem services, biodiversity, etc.”

“I’d say that, in addition to actually taking my brother and sister and I camping and hiking and river rafting all our lives and introducing us to the power of natural landscapes, his [my father’s] biggest impact on my thinking has been to always argue that the “spiritual case for Nature” was not going to outweigh the needs of 7 billion people and to insist that law, science and economics were the critical frameworks through which we had to defend the value of nature.”

“Most of what I know about environmental conservation I learned from my father, who has been a leader within the movement for over 30 years.”

“To cite my own alma mater, it’s shocking to me that Yale University can teach what it teaches at the Yale School of Environmental Studies and utterly fail to mirror those values in any way in its investment practices.”

“I think one of the most important investments an organization like TNC [The Nature Conservancy] can make is in helping build local capacity – supporting the growth of a global network of small community-based entities. Help people who live within critical ecosystems help themselves and their neighbors to design a better future relationship between themselves and their natural resources.”

“Popularity is the slutty little cousin of prestige, my friend.”

“You never make all things for all people and can’t always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.”

“The best films of any kind, narrative or documentary, provoke questions.”

“The more you do your homework, the more you’re free to be intuitive. But you’ve got to put the work in.”

“Life, like poker has an element of risk. It shouldn’t be avoided. It should be faced.”

“It’s better for people to miss you than to have seen too much of you.”

“Sometimes we don’t see certain things until we’re ready to see them in a certain way.”

“All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It’s fun, and it’s fun because it’s hard.”

“When people come together too young, they try to become one person. As you get older, you realize that you don’t want to become one person because then you lose the person you are.”

“At this point in my life I’m not bent on proving anything, really.”

“It must be good to be in Germany and France, because I have completely forgotten what it is like to be proud of your government.”

“I don’t have anything to prove to anybody, which is a lovely place to be.”

“I tend to relate to a character in terms of the arc: what’s interesting is where he starts versus where he ends up.”

“I never think that a film should answer questions for you. I think it should make you ask a lot of questions.”

“Instead of telling the world what you’re eating for breakfast, you can use social networking to do something that’s meaningful.”

“I’ve always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You’re trying to get inside a certain emotional reality or motivational reality and try to figure out what that’s about so you can represent it.”

“I’m fascinated by the ways in which people express themselves, because their responses are often counter to what they’re actually feeling. Like when they’re frightened, they tend to freeze. When they’re angry, it doesn’t always come out as volume. There are wonderful contradictions in the way that people express their emotions.”

“I’ve observed over and over that people seem to get a much deeper sense of fulfillment out of something they’ve done as an act of service than out of the things they do for themselves.”

“There are so many people who are conscientious and caring about others. I’ve spent time working in countries where I really noticed the absence of civic concern, care for other people. I’ve been in other countries where I feel a palpable, almost tooth-and-claw attitude between people – Machiavellian, me and mine. And you can take for granted being here, with all the bloviating and the media, on a day-to-day level, people in this country are really pretty concerned for each other.”

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“I’ve already spent a lot of my life doing what makes me go. There’s a life out there while I’m still young, able to move, able to just sit at peace in the water – I should be spending much more time doing that, rather than continuing to go through this artistic struggle.”

“I almost forgot what it’s like to be proud of my government.”

“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.”

“I don’t smoke and I don’t want to smoke. I am not a fan of gratuitous smoking in films.”

“Sometimes creativity is a compulsion, not an ambition.”

“I like it when the deeper you go with the character, the more you see the layers start to peel away.”

“I think that the environmental movement is wisely moving away from a largely emotion-based argument for the spiritual or intrinsic value of Nature with a capital “N” and evolving toward a very hard-nosed case for the economic value of natural capital, ecosystem services, biodiversity, etc.”

“The more you can create that magic bubble, that suspension of disbelief, for a while, the better.”

“I’ve always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You’re trying to get inside a certain emotional reality or motivational reality and try to figure out what that’s about so you can represent it.”

“I think at the end of the year people get meditative about how they want next year to be, i think this film gets at those reminders of what matters. I don’t think it’s as much a Christmas film as it is about the idea of how to keep your life in balance.

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