75+ Alec Guinness Quotes That Will Make You Get Out OF Your Comfort Zone

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Alec Guinness saying

Alec Guinness quotes that will make you get out of your comfort zone. There are so many Alec Guinness quotes that can help you when you are tired of being in the same old rut, and all you need is a little push, a little inspiration, a smile on the face, change of mood, bring you out of the banality of life, make you laugh a little, or may even make you cry a bit, and these Alec Guinness quotes exists just do that.

Alec Guinness had been a very famous English actor. After his career on the stage, Alec Guinness had been featured in a lot of the Ealing Comedies, and this includes The Ladykillers and Kind Hearts and Coronets where Alec Guinness had played nine various characters. Alec Guinness is well-known for his collaborations with Fagin in Oliver Twist (1948), David Lean: Herbert Pocket in Great Expectations(1946), Prince Faisal in Lawrence of Arabia (1962), Col. Nicholson in The Bridge on the River Kwai General, Professor Godbole in A Passage to India (1984) and also, Yevgraf Zhivago in Doctor Zhivago (1965). Alec Guinness is well-known for his role of Obi-Wan Kenobi in the Star Wars trilogy; for the original movie, and Alec Guinness had been nominated for Best Supporting Actor during the 50th Academy Awards.

Alec Guinness had been one of three British actors with John Gielgud, and Laurence Olivier who made their transition from Shakespearean theatre to blockbuster movies after World War II. Alec Guinness had then served in the Royal Naval Reserve and had commanded a landing craft during the invasion of Sicily and Elba.

We have dug up these Alec Guinness quotes from the depths of the internet and brought together best of these sayings in a single article. This post is probably the biggest database of Alec Guinness Sayings in a single place. These famous Alec Guinness quotes have the power to change your life by giving a novel outlook about the way you observe different aspects of your life. Hence, these popular Alec Guinness quotes should be read with caution and proper understanding of the context. Here are tons of Alec Guinness quotes that will open a treasure chest of Wisdom and experiences:

“I shrivel up every time someone mentions Star Wars to me.”

Alec Guinness best quotes

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“Flamboyance doesn’t suit me. I enjoy being elusive.”

Alec Guinness famous quotes

“I don’t know what else I could do but pretend to be an actor.”

Alec Guinness popular quotes

“Once I’ve done a film, it’s finished. I never look at it again.”

Alec Guinness quotes

“Failure has a thousand explanations. Success doesn’t need one.”

Alec Guinness saying

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“[on how much he disliked working on Star Wars (1977) and his attempts to encourage George Lucas to kill off Obi-Wan Kenobi] And he agreed with me. What I didn’t tell him was that I just couldn’t go on speaking those bloody awful, banal lines. I’d had enough of the mumbo jumbo.”

“We live in an age of apologies. Apologies, false or true, are expected from the descendants of empire builders, slave owners, persecutors of heretics and
from men who, in our eyes, just got it all wrong. So with the age of 85 coming up shortly, I want to make an apology. It appears I must apologize for being
male, white and European.”

“[in 1985 to The Guardian newspaper, on what he intends to do by the end of his life] A kind of little bow, tied on life. And I can see myself drifting off
into eternity, or nothing, or whatever it may be, with all sorts of bits of loose string hanging out of my pocket. Why didn’t I say this or do that, or why
didn’t I reconcile myself with someone? Or make sure that someone whom I like was all right in every way, either financially or, I don’t know…”

“[replying to a writer whose script he rejected, who sent him a note saying “We tailored it just for you”] But no one came to take measurements.”

“I gave my best performances during the war, trying to be an officer and a gentleman.”

“I prefer full-length camera shots because the body can act better than the face.”

“Getting to the theater on the early side, usually about seven o’clock, changing into a dressing-gown, applying make-up, having a chat for a few minutes with
other actors and then, quite unconsciously, beginning to assume another personality which would stay with me (but mostly tucked inside) until curtain down,
was all I required of life. I thought it bliss.”

“An actor is an interpreter of other men’s words, often a soul which wishes to reveal itself to the world but dare not, a craftsman, a bag of tricks, a vanity bag, a cool observer of mankind, a child and at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents.”

“Personally, I have only one great regret – that I never *dared* enough. If at all.”

“[To a group of reporters upon winning his Academy Award in 1958]: No doorstop shenanigans for me, boys. I have a nice mantel where I’m going to display it.”

“[during filming of Star Wars (1977)]: Apart from the money, I regret having embarked on the film. I like them well enough, but it’s not an acting job, the
dialogue – which is lamentable – keeps being changed and only slightly improved, and I find myself old and out of touch with the young.”

“[on media reports of his income from the Star Wars films]: The Times reports I’ve made £4.5 million in the past year. Where do they get such nonsense?”

“[on the performances in Star Wars (1977)]: The only really disappointing performance was Anthony Daniels as the robot – fidgety and over-elaborately spoken.
Not that any of the cast can stand up to the mechanical things around them.”

“[while considering doing Star Wars (1977)]: Science fiction – which gives me pause – but it is to be directed by George Lucas, who did American Graffiti
(1973), which makes me think I should. Big part. Fairytale rubbish, but could be interesting.”

“[on his first lunch meeting with George Lucas]: I liked him. The conversation was divided culturally by 8,000 miles and 30 years; but I think we might
understand each other if I can get past his intensity.”

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“The stage was my prime interest. I had no ambition to be a film actor, and a screen career seemed unlikely to come my way. I’d done a stage adaption of
“Great Expectations” before the war and this had been seen by David Lean and Ronald Neame. I went into the navy during the war, and when I came out they were
preparing their film [Great Expectations (1946)]. They remembered my performance on the stage and asked me if I’d go into their film as Herbert Pocket. I’d
thought of film as a much greater mystery than the theater and I felt a need to begin in films with a character I knew something about.”

“[on The Bridge on the River Kwai (1957)]: The original script was ridiculous, with elephant charges and girls screaming round in the jungle. When David Lean
arrived, with a new screenwriter, it became a very different thing. I saw Nicholson as an effective part, without ever really believing in the character.
However, it paid off; it was a huge success and I got an Oscar for it, though I don’t think it made an enormous difference in my career.”

“Essentially I’m a small part actor who’s been lucky enough to play leading roles for most of his life.”

“I am always ashamed of the slowness of my reading. I think it stems from the fact that when I come across dialogue in a novel, I can’t resist treating it as
the text of a play and acting it out, with significant pauses and all.”

“[on Laurence Olivier after the death of the only acting peer of the realm] Olivier made me laugh more as an actor [in eccentric comedy parts] more than
anyone else. In my case, I love him in comedy and am not always sure about him in tragedy.”

“[his diary entry after viewing Star Wars (1977) for the first time] It’s a pretty staggering film as spectacle and technically brilliant. Exciting, very
noisy and warmhearted. The battle scenes at the end go on for five minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost
in noise, but it remains a vivid experience.”

“An actor is at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents.”

“An actor is totally vulnerable. His total personality is exposed to critical judgment – his intellect, his bearing, his diction, his whole appearance. In
short, his ego.”

“[Asked if he was a rich man]: No, not rich. Compared to striking miners and workless actors very rich: compared to successful stockbrokers and businessmen I expect I would be considered nearly poor.”

“[Asked if Star Wars (1977) had made him a fortune]: Yes, blessed be Star Wars. But two-thirds of that went to the Inland Revenue and a sizable sum on VAT. No complaints. Let me leave it by saying I can live for the rest of my life in the reasonably modest way I am now used to, that I have no debts and I can afford to refuse work that doesn’t appeal to me.”

“[on Star Wars (1977)]: When it came to me in script form, I was in Hollywood on the last day of another movie and I heard it was a script by George Lucas,
well that meant something; you know, American Graffiti (1973), this is a new generation, lovely. And then I opened it and saw it was science fiction and
groaned, I thought “oh no, they’ve got the wrong man.” I started to read it and I thought some of the dialogue was rather creaky, but I kept turning the
pages, I wanted to know what happened next. Then I met George Lucas, fell for him, I thought he was a man of enormous integrity and bright and interesting,
and I found myself involved and thank God I did.”

“[on winning the Best Actor award for The Bridge on the River Kwai (1957)] No doorstop shenanigans for me. I’ll put the Oscar on my mantel, which I realize
makes very dull copy, except that I’ll put a mirror on the mantel so that I’ll get a view of Oscar’s back too.”

“I can walk through a crowd and nobody would notice at all.”

“[on Star Wars (1977)] Can’t say I’m enjoying the film. New rubbish dialogue reaches me every other day on wadges of pink paper – and none of it makes my
character clear or even bearable. I just think, thankfully, of the lovely bread, which will help me to keep going until next April.”

“[on playing Gulley Jimson in The Horse’s Mouth (1958)] I try to get inside a character and project him – one of my own private rules of thumb is that I have
not got the character until I have mastered exactly how he walks.”

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“[One day, director Ronald Neame found Guinness sulking in his dressing room, refusing to come to the set. According to Neame, Guinness felt he had not been
stroked enough and explained] Actors are emotionally 14-year olds. We need to be chastised like children, and we need to be hugged and told we’re doing fine
work. We are the children who never grow up.”

“[1987, on being referred to as “the Man of a Thousand Faces”] Oh, that was a publicity stunt which has dogged me all… well not all my life…but for so
many years.”

“Failure has a thousand explanations. Success doesn’t need one.”

“An actor is at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents.”

“An actor is totally vulnerable. His total personality is exposed to critical judgment – his intellect, his bearing, his diction, his whole appearance. In short, his ego.”

“We live in an age of apologies. Apologies, fake or true, are expected from the descendants of empire builders, slave owners and persecutors of heretics, and from men who -in our eyes- just got it all wrong. So, with the age of 85 coming up shortly, I want to make an apology. It appears I must apologize for being male, white, and European.”

“All creative people hate mathematics. It’s the most uncreative subject you can study.”

“I don’t know what else I could do but pretend to be an actor.”

“A person who is keen to shake your hand usually has something up his sleeve.”

“An Actor is an interpreter of other men’s words, often a soul which wishes to reveal itself to the world but dare not, a craftsman, a bag of tricks, a vanity bag, a cool observer of mankind, a child and at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents.”

“There seems to be no end to the senseless wickedness done on this little planet in a minor solar system, and we puny mortals appear to be decreasing in importance so far as the universe is concerned.”

“I shrivel up every time someone mentions Star Wars to me.”

“I never knew how good it is to be unknown until now. The last time I was unknown I was too busy trying to become known to realize the advantages of obscurity.”

“Essentially, I’m a small-part actor who’s been lucky enough to play leading roles for most of his life.”

“A superb tenor voice, like a silver trumpet muffled in silk.”

“Styling is designing for obsolescence.”

“Best performance of the year: Aston Villa v. Milan, September 1994”

“Young men make wars, and the virtues of war are the virtues of young men: courage, and hope for the future. Then old men make the peace, and the vices of peace are the vices of old men: mistrust and caution.”

“Much of the day I have busied myself making notes on the small parts in Shakespeare, often nameless, which are rewarding to the actor if only he’ll not dismiss them as beneath his dignity. If I can work it up into a talk I might call it, ‘Only a cough and a spit ‘ -the phrase so often used by actors to explain away a lack of opportunity.”

“My contribution to film has always been negligible.”

“That’s no moon. It’s a space station.”

“The applause of all but very good men is no more than the precise measure of their possible hostility.”

“The point of a knighthood for British actors is to enable them to play butlers.”

“I neither suffer myself, nor other fools, gladly.”

“My contribution to film has always been negligible.”

“That’s no moon. It’s a space station”

“Best performance of the year: Aston Villa v. Milan, September 1994”

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“Essentially, I’m a small-part actor who’s been lucky enough to play leading roles for most of his life.”

“I shrivel up every time someone mentions Star Wars to me.”

“A person who is keen to shake your hand usually has something up his sleeve.”

“There seems to be no end to the senseless wickedness done on this little planet in a minor solar system, and we puny mortals appear to be decreasing in importance so far as the universe is concerned.”

“An actor is totally vulnerable. His total personality is exposed to critical judgment – his intellect, his bearing, his diction, his whole appearance. In short, his ego.”

“‘There seems to be no end to the senseless wickedness done on this little planet in a minor solar system, and we puny mortals appear to be decreasing in importance so far as the universe is concerned.”

“…nothing is desperately important and the joy of life is just looking at it.”

“And he agreed with me. What I didn’t tell him was that I just couldn’t go on speaking those bloody awful, banal lines. I’d had enough of the mumbo jumbo.”

“I shrivel up every time someone mentions Star Wars to me.”

“Apart from the money, I regret having embarked on the film. I like them well enough, but it’s not an acting job, the dialogue – which is lamentable – keeps
being changed and only slightly improved, and I find myself old and out of touch with the young”

“The Times reports I’ve made £4.5 million in the past year. Where do they get such nonsense?”

“The only really disappointing performance was Tony Daniels as the robot – fidgety and over-elaborately spoken. Not that any of the cast can stand up to the
mechanical things around them”

“It’s a pretty staggering film as spectacle, and technically brillant. Exciting, very noisy and warm hearted. The battle scenes at the end go on for 5
minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience”

“Science fiction – which gives me pause – but it is to be directed by Paul Lucas, who did American Graffiti, which makes me think I should. Big part.
Fairytale rubbish, but could be interesting”

“I liked him. The conversation was divided culturally by 8,000 miles and 30 years; but I think we might understand each other if I can get past his
intensity”

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